Report by Jonathan Melland
The book Welsh Missionaries and British Imperialism, by Andrew J May, was launched, appropriately, on St David's Day, 1st March. Drew Hopkins reports:
It was a great pleasure for the Côr Bach to sing at the launch of
this important book dealing with the Welsh missionary influence in
north-east India in the nineteenth century.
The book, entitled Welsh Missionaries and British Imperialism, was written by University of Melbourne historian, Associate Professor Andrew May, and examined the work of his ancestor, Thomas Jones, who was sent by the Welsh Missionary Society in 1841 to evangelise the tribal peoples of the Khasi hills. A notable feature of Thomas Jones’ work was his contribution to recording and preserving the Khasi language - a task a Welshman would realise the importance of, given the threat to the survival of the Welsh language during the nineteenth century.
The choir sought to capture the flavour of the music that the Welsh missionaries took to the world. Accordingly, the first bracket of songs opened with Men of Harlech (in Welsh – Gwŷr Harlech), followed by enthusiastic singing of some fine hymns – Calon Lân, Amazing Grace and Cwm Rhondda (with the audience joining in the chorus in English). The choir then sang All Through the Night, featuring the rich voice of second tenor Rushan Hewawasam singing the first verse.
Then there was a break for speeches and the launching of the book, followed by a second bracket of songs. Our Musical Director had planned some soft a capella singing for this bracket. However, by 6:30 pm, the noise from the jazz bar next door, and the Friday evening traffic meant a somewhat less subtle musical program was required. So the choir swung into its medley of rock/pop songs from the 1960s – House of the Rising Sun, He Ain't Heavy He’s my Brother, Yesterday, Little Deuce Coupe and Da Do Ron Ron. We completed the evening with the concluding segment of our Welsh-Australian version of Waltzing Matilda.
So it was an enjoyable evening for both the choristers and the
book-launch audience, and several of us purchased copies of the book and
set off home for a good read.
Grand Annual St David’s Day Concert
2nd March 2013, Robert Blackwood Hall: "REJUVENATION!" "my
best concert in years" "contrast of sopranos with choir inspired"
"music superb, pianist outstanding - I’ll be back!!"
The choir started off with the
rousing Men of Harlech in Welsh first, then in English with the
audience joining in, reading the words off the printed sheet or from the
program. Throats having been suitably cleared, everyone sat back to a bracket of
old favourites culminating in a new arrangement of Calon
Lân.
Ambrose Morgan made the hall laugh along to Hymns and
Arias, then our two sopranos Rhonda Yates and Melinda Ash blended their
voices superbly to lead us into the beautiful Benedictus.
Faleiry
(left) stepped off the podium and settled in behind her Welsh harp as Deputy
Musical Director Lyn Henshall took over the baton for three lullabies. Stephen
Lynn soloed on Suo Gân then Mel guided us All Through the
Night. The choir finished with a well-modulated a capella Si Hei Lwli
‘Mabi.
The next three songs were heard at last July’s Choir of
the World concert, of which we were a part. The first, Anfonaf Angel
was actually sung by Bryn Terfel, but we liked it so much we were given an
arrangement by Ilid Anne Jones who was our guest conductor last year. The
second, Pemulwuy was a new song for us as part of the Australasian
contingent and which we thoroughly enjoy now we’ve mastered its intricacies –
and clearly the audience did too, especially having received a first-class
explanation of who Pemulwuy was by our erudite and versatile compère Drew
Hopkins The first half then closed with a special arrangement (sung by 520
choristers in London) of When the Saints Go Marching In, the end of
which featured the combined voices of the audience and our
sopranos.
Another new tune Yr Utgorn (The Trumpet) blasted off
the second half in great fashion and included some sprightly trumpeting from 13
year old Tom. Rhonda’s bell-like voice made us happy to be Back Once More in
Dear Wales, then our small choir (Côr Bach) entertained everyone with an
entirely new song Yfory (Tomorrow). On reflection, we should probably
have sung the Beatles’ Yesterday before this….
The choir went a
capella again with Myfanwy then it was time for some comic relief with
Professor (promoted from Sgt) Pepper with a challenging Welsh lesson.
As
the choir is lucky and talented enough to have within it quite a number of
soloists, our next bracket, entitled Choir Kaleidoscope, featured a choir medley
with Col Evans on the anvil, Barry McMahon being stout-hearted, Graeme Sanderson
seeking help in his police work, Roger Bartlett nostalgically crossing the
Mersey and old rockers Ed Hughes and Drew Hopkins racing their hotrod in
Little Deuce Coupe.
Suitably exhausted it was then time to sit back and be
transported by Rhonda and Mel (left) in two beautiful duets, finishing with the
Flower Duet from Lakmé which elicited huge roars of approval from a
totally enchanted audience.
The finale from Les Mis is always a
favourite - for the choir and patrons alike - and this occasion was no
exception. Rhonda skilfully caught the pathos of Fantine’s I Dreamed a
Dream then Mel, as Fantine’s daughter Cosette, tugged at our hearts with
Castle on a Cloud. Roger Bartlett featured on the emotional Bring
Him Home and, finally, the choristers and concert-goers alike were fired up
with Do You Hear the People Sing.
There only remained
Waltzing Matilda with Bob Ash and Roger leading the segue into the
Welsh National Anthem and another magnificent St David’s Day concert brought
continued and heartfelt applause from the appreciative audience. To shouts of
“Encore” choristers marched off the stage to Men of Harlech before
surrounding patrons to tenderly thank and farewell them with Eli Jenkins’
Prayer. We were humbled but pleased to see that many in the hall were
visibly affected by the sheer emotion of being part of such a wonderful
evening’s musical journey.
Audience feedback included:
The day after our annual St David's Day Concert, Victoria Welsh joined with other local Welsh choirs to participate in the annual St David's Day Cymanfa Ganu (hymn festival) organised by the Melbourne Welsh Church, held at St Michael's Church in Collins St, and led for the first time by an Australian conductor (albeit with a Welsh name), Trevor Jones, with organist Lachlan Redd. The programme consisted of:
For the first time the singing of the two choir items and some of the congregational hymns was complemented by two trumpeters and a tympanist. The congregation, which came close to filling the large church, left feeling they had well and truly done justice to this traditional Welsh celebration.
Echuca Moama Celtic Festival
Côr Bach 17 March 2013, Moama Bowling Club, NSW: "superb" " fantastic - great harmonies" "uplifting" "a fully engaging experience"
A concert given by our Côr Bach was the main event on the last day of the Echuca Moama Celtic Festival at the Bowling Club in Moama NSW on St Patrick's Day.
The full-length concert included two new love songs with a positive flavour (almost unheard-of for Welsh love songs!) - Anfonaf Angel (I'll Send an Angel) and Yfory (Tomorrow), both by Robat Arwyn; Yr Utgorn (The Trumpet); Paul Jarman's powerful tribute to the aboriginal warrior Pemulwuy; and a medley of songs from opera, musicals and the sixties which we call Caleidosgop (think about it).
The capacity audience responded warmly, and also joined us heartily in the singing of Men of Harlech, Cwm Rhondda, When The Saints, our Welsh-flavoured version of Waltzing Matilda and, of course, Danny Boy. Their feedback included:
We were very pleased to return to Williamstown for the fifth time
since 2000 on a bright Sunday afternoon with refreshing sea breezes.
The audience came ready to enjoy themselves as they were swept along in
an extremely varied program – and they got to do a bit of singing as
well.
Comments from patrons afterwards remarked on the number of soloists
drawn from the choir. We are indeed blessed with an incredible number of
choristers who just love to perform on their own, or with a partner, as
well as blending in harmoniously when singing with their section.
Soloists were Ambrose Morgan, Col Evans on anvil, Steve Lynn and Barry
McMahon. John Hales and Geoff Serpell hammed it up with a great
première performance of the Gendarmes Duet, complete with truncheons. Bob Ash’s poignantly bitter-sweet And the Band Played Waltzing Matilda reminded everybody that the 25th was around the corner in our ANZAC homage bracket.
Graham Warner did sterling double duty as compère and brother rocker with Ed Hughes. Roger Bartlett featured in our Kaleidoscope section and in the Les Mis finale, as well as a sidekick to Drew Hopkins’ dilettante in Cherchez La Femme. Drew also joined with Rushan Hewawasam in the beautifully sung second première of the day with Isle of Hope, Isle of Tears.
Audience feedback included:
One audience member wrote all this:
For more information about Holy Trinity Williamstown go to www.htw.org.au
On Sunday 26th May Victoria Welsh Choir joined forces with the Geelong Welsh Ladies Choir for a concert at the Castlemaine Town Hall. Audience feedback included:
For more information about the Geelong Welsh Ladies' Choir visit https://geelongwelshlc.com.au/
A large and very keen audience was anxious to secure the best seats well in advance of the 2.00 pm start. Introductions were carried out by compère Drew Hopkins and President Tony Davies provided a narration about the film and its themes and parallels between the Morgan family and his own. This was broken up by the choir singing two or three specially chosen and relevant songs in each bracket. Patrons also played their part by joining in with the old favourite Amazing Grace. Other soloists were Stephen Pepper and Gordon Parsons and Bob Ash with the very relevant Working Man.
After an interval, in which all the choc tops sold out, the film was shown without intermission.
Audience feedback included:
On Sunday 8th September Côr Bach (our “Small Choir”) were very pleased to return to Woodend to support our friend and former chorister Keith Beman and the Woodend CFA volunteers for a third time. On this occasion Côr Bach was reinforced by a number of soloists from our Bendigo chapter.
The program included two love songs with a positive flavour - Anfonaf Angel (I'll Send an Angel) and Yfory (Tomorrow), both by Robat Arwyn, Yr Utgorn (The Trumpet), Paul Jarman's powerful tribute to the aboriginal warrior Pemulwuy and a medley of songs from opera, musicals and the sixties.The near capacity audience came ready to enjoy themselves in an extremely varied program, responding warmly and enthusiastically to join us in the singing of Men of Harlech, Cwm Rhondda and When the Saints Go Marching In.
We are indeed blessed with a remarkable number of choristers who enjoy
performing on their own or with a partner, as well as blending in
harmoniously when singing with their section. Soloists included Barry
McMahon. Ken Simpson and Ed Hughes. Roger Bartlett featured in both our Kaleidoscope section and in the Les Mis finale, and Drew Hopkins who joined with Rushan Hewawasam in the beautifully sung Isle of Hope, Isle of Tears. Bob Ashe did sterling double duty as both our compère and Working Man soloist.
Our
Music Director and Huw Jones thrilled the audience as they played their
harps together producing a delightful sound. Once again our Music Team
of Faleiry Koczkar and Lorna Ogilvie excelled themselves and were ably
backed up by Ann Roberts at the sound desk as well as our outstanding
team of supporters at the ‘front of house’. (Report by Andrew Naylor)
Audience comments received were very positive:
On 22nd September. a beautiful Sunday afternoon, Victoria Welsh Choir returned to the splendid Capital Theatre in Bendigo after nearly 12 years for its Springtime concert, organised by the choir's flourishing Bendigo chapter. The audience came ready for an excellent afternoon's entertainment and this they got in abundance.
Bendigo
boy Rob Hopman ably emceed the concert and was the very proud father of
Janelle who treated everybody to two contrasting brackets of very
distinct and probably little heard songs. Her first two were from shows:
Still Hurting from The Last Five Years and I Can Cook Too from On The Town. Her second bracket, where she accompanied herself on piano, were 20 Años by Omara Portuondo and Bob Dylan's To Make You Feel My Love.
The feedback comments showed how much patrons had enjoyed Janelle's
beautifully sung numbers. She also sang with the choir on Benedictus, When the Saints Go Marching In, All Through The Night and in the Les Mis finale.
Interspersed
in the wide-ranging ensemble choral songs, a number of choristers also
featured and added to the musical variety of the concert. Tenors Rushan
Hewawasam and Drew Hopkins charmed the audience with the lilting Isle of Hope, Isle of Tears. Graham Warner and Colin Edwards confidently led the choir into Highland Cathedral
after a rousing opening by a Bendigo bagpiper Warren Matheson and snare
drum by versatile part-time blacksmith Colin Evans. In the Caleidosgob
section, Barry McMahon was suitably macho in Stouthearted Men, Ed Hughes got his hips swinging in Little Deuce Coupe and Bob Ash nailed Working Man. In the Gendarmes' Duet,
Geoff Serpell and John Hales were suitably scary and entertaining,
complete with potential head-cracking truncheons. Rushan came back for a
second time in the emotionally charged finale with Janelle.
Despite the inherent problems singing from a proscenium arch stage, the acoustics were skilfully sorted out by Bill Denholm and crew and the concert was adjudged to one of our best. Audience comments follow:
On 6th October Côr Bach journeyed into Swagman territory to perform at the acoustically blessed Carngham Uniting Church as a fundraiser for the nearby Linton Historical Society. Their local publicity had obviously been very effective as the church was full with chairs even in the aisles.
The first half comprised MC Drew Hopkins narrating extracts from Joseph Jenkins' Diary of a Welsh Swagman, with Tony Davies as the Swagman and appropriate songs from our repertoire interspersing the narration. A total of fourteen complete and part-songs were sung, including standout performances of Wandering the King's Highway by Barry McMahon and Working Man by Geoff Serpell.
After interval, old favourites like When the Saints gave the audience an opportunity to have a sing, and new challenging numbers like Yr Utgorn and Pemulwuy were successfully performed.
Tenors Rushan Hewawasam and Drew tugged at everybody's heartstrings with the beautiful Irish song Isle of Hope, Isle of Tears. The musically appreciative audience definitely wanted to hear more from these two soloists and they did not have to wait long. Rushan's mellifluous voice caught the emotion in Bring Him Home as part of the Les Mis medley; and hard-working compère Drew teamed with bass Geoff Serpell in the modern arrangement of Waltzing Matilda.
The church had not been this full for many a year and, judging by the immediate feedback after the concert, everybody did really go home (after the tea and scones) with a smile on their face and a glow in their heart.
Audience comments included:
In probably another first, choristers and their partners were supplied with soup and rolls at the nearby magnificent farmhouse and choristers were able to change in the most well-appointed rooms made available to us for many a year. Our host, Mrs Suzie Clarke was wonderfully welcoming despite being stricken with pneumonia which, alas, rendered it impossible for her to attend the concert. Our thanks go out to her and the Dunkeld Festival organisers.
An opening bracket of Welsh favourites finished with an opportunity for the audience to warm up their voices with the Songs of Praises chorus.
Ambrose Morgan gave a polished performance of Hymns and Arias and a specially written new verse which was particular to Dunkeld residents, hit the mark. The next bracket culminated with a fine rendition of Working Man by Bob Ash. This was followed by a beautifully modulated duet by ever-busy compere Drew Hopkins and Rushan Hewawasam with Isle of Hope, Isle of Tears.
The first half closed with patrons being able to join in once again with numerous choruses of When the Saints.
The second half featured a veritable smorgasbord of musical talent drawn from members of the choir. Tom Morgan, Alex van Mens and Colin Edwards strongly stirred up the Scots with Highland Cathedral and Stephen Pepper involved and amused the audience with a well structured Welsh lesson.
Barry McMahon was a suitably Stout-Hearted Man, Gordon Parsons skilfully guided us All Through the Night and Ed Hughes got everybody rocking with Little Deuce Coupe. John Hales and Geoff Serpell charmed everybody with the clever and droll Gendarmes' Duet, complete with articles designed for corporal punishment.
In the Les Mis medley, the choir was joined by Rushan once again with the emotional Bring Him Home. Finally, Drew and Geoff and the choir surprised but delighted many patrons with a modern arrangement of Waltzing Matilda segueing into the Welsh National Anthem. And what more fitting surroundings when singing about a jumbuck than the choir proudly standing up in front of half a dozen shearing machines.
The sold-out venue was, by this time, a little chilly but instead of the swagman jumping up, the whole audience rose to give the choir and music team a well-deserved standing ovation. Another really marvellous concert, according to everyone there.
Audience comments:
Among the highlights of the event for us were:
With minimal rehearsal we and the band jump-started the concert with a forceful arrangement of Battle Hymn which set the bar for the rest of the concert.
The Concert Band, under the direction of Mat Taylor, then showcased their considerable range with a varied bracket including a medley of familiar Mancini tunes.
The choir then sang a number of favourite Welsh tunes, culminating with Tom featuring on Yr Utgorn (The Trumpet) and Bob Ash delivering a stunning rendition of Working Man to close out the first half (photo by Gavin Ash - www.gavinash.com).
The second half began with what we now call our London arrangement of When the Saints and the audience willingly joined in (several times) along with Mat on his trumpet, to raise the considerable modern roof. In the choir's next bracket the beautiful Anfonaf Angel raised many hairs on many necks. Another 'London' tune, the very modern Pemulwuy delighted patrons with its forceful lyrics and musical virtuosity. Waltzing Matilda, featuring soloists Geoff Serpell and compère Drew Hopkins, cast its spell on its listeners and even flushed out several Welsh natives as they realised part of the choir was singing Hen Wlad Fy Nhadau.
The Band swung into their second bracket with some classical music and the very interesting music from The Incredibles, the original soundtrack of which was recorded on analogue tapes, not least because brass sounds better than on digital.
As a show-stopper the band and the choir combined on all-encompassing Les Mis medley, featuring Roger Bartlett on the emotional Bring Him Home. As the final line "Tomorrow comes" and the band's closing chord erupted, the audience was totally transported and the very appreciative and sustained clapping was proof that another terrific musical event had been achieved.
But they hadn't finished with us yet. Cries of "More, more" were shouted out so, after a little rearrangement, the choir filed off stage to Men of Harlech and then, with the expectant hall hushed, we surrounded everybody and wrapped them up in the beautiful words and fond farewell of Eli Jenkins' Prayer. Only then was the audience satisfied and the musical magic of the afternoon allowed to come to a close.
Geoff and Drew in duet - photo by Gavin Ash - www.gavinash.com).
Audience feedback included:
Dromana Funeral
6 December 2013
In memory of Nelson Mandela, whose death had recently been announced, we opened with Nkosi Sikelel'iAfrika (God Bless Africa), the hymn written in the Xhosa language which has now become part of the South African National Anthem.
We started the first half with three staples of the Welsh repertoire, Men of Harlech, We'll Keep a Welcome and Cwm Rhondda (Guide Me O Thou Great Redeemer). The audience joined in the last verse of the latter, and then every chorus of the fun song Hymns and Arias, led by Ambrose Morgan. The lullaby Si Hei Lwli 'Mabi and Anfonaf Angel (I'll send an angel) were followed by Rushan Hewawasam and Drew Hopkins singing Isle of Hope, Isle of Tears. The half ended with Working Man (solo Bob Ash), the stunning Pemulwuy and the Rutter arrangement of When the Saints Go Marching In, with more audience participation.
The choir opened the second half with two more Welsh songs, Yr Utgorn (the Trumpet) and Yfory (Tomorrow). After singing Maria, Roger Bartlett was joined by Rushan for a blended version of Little Drummer Boy and Peace on Earth. We maintained the Christmas theme with O Holy Night (solo Barry McMahon) before launching into a "Kaleidoscope" of songs with different soloists - the Anvil Chorus (Colin Evans on the anvil), You'll Never Walk Alone (Ken Simpson), Blue Moon (Drew Hopkins) and Little Deuce Coupe (Ed Hughes). We finished with a medley of five tunes from Les Miserables (solo Roger Bartlett) and, as an encore, Eli Jenkins' Prayer.
The audience's enthusiasm can be gauged from the following comments:
Report by Jonathan Melland
The book Welsh Missionaries and British Imperialism, by Andrew J May, was launched, appropriately, on St David's Day, 1st March. Drew Hopkins reports:
It was a great pleasure for the Côr Bach to sing at the launch of
this important book dealing with the Welsh missionary influence in
north-east India in the nineteenth century.
The book, entitled Welsh Missionaries and British Imperialism, was written by University of Melbourne historian, Associate Professor Andrew May, and examined the work of his ancestor, Thomas Jones, who was sent by the Welsh Missionary Society in 1841 to evangelise the tribal peoples of the Khasi hills. A notable feature of Thomas Jones’ work was his contribution to recording and preserving the Khasi language - a task a Welshman would realise the importance of, given the threat to the survival of the Welsh language during the nineteenth century.
The choir sought to capture the flavour of the music that the Welsh missionaries took to the world. Accordingly, the first bracket of songs opened with Men of Harlech (in Welsh – Gwŷr Harlech), followed by enthusiastic singing of some fine hymns – Calon Lân, Amazing Grace and Cwm Rhondda (with the audience joining in the chorus in English). The choir then sang All Through the Night, featuring the rich voice of second tenor Rushan Hewawasam singing the first verse.
Then there was a break for speeches and the launching of the book, followed by a second bracket of songs. Our Musical Director had planned some soft a capella singing for this bracket. However, by 6:30 pm, the noise from the jazz bar next door, and the Friday evening traffic meant a somewhat less subtle musical program was required. So the choir swung into its medley of rock/pop songs from the 1960s – House of the Rising Sun, He Ain't Heavy He’s my Brother, Yesterday, Little Deuce Coupe and Da Do Ron Ron. We completed the evening with the concluding segment of our Welsh-Australian version of Waltzing Matilda.
So it was an enjoyable evening for both the choristers and the
book-launch audience, and several of us purchased copies of the book and
set off home for a good read.
Grand Annual St David’s Day Concert
2nd March 2013, Robert Blackwood Hall: "REJUVENATION!" "my
best concert in years" "contrast of sopranos with choir inspired"
"music superb, pianist outstanding - I’ll be back!!"
The choir started off with the
rousing Men of Harlech in Welsh first, then in English with the
audience joining in, reading the words off the printed sheet or from the
program. Throats having been suitably cleared, everyone sat back to a bracket of
old favourites culminating in a new arrangement of Calon
Lân.
Ambrose Morgan made the hall laugh along to Hymns and
Arias, then our two sopranos Rhonda Yates and Melinda Ash blended their
voices superbly to lead us into the beautiful Benedictus.
Faleiry
(left) stepped off the podium and settled in behind her Welsh harp as Deputy
Musical Director Lyn Henshall took over the baton for three lullabies. Stephen
Lynn soloed on Suo Gân then Mel guided us All Through the
Night. The choir finished with a well-modulated a capella Si Hei Lwli
‘Mabi.
The next three songs were heard at last July’s Choir of
the World concert, of which we were a part. The first, Anfonaf Angel
was actually sung by Bryn Terfel, but we liked it so much we were given an
arrangement by Ilid Anne Jones who was our guest conductor last year. The
second, Pemulwuy was a new song for us as part of the Australasian
contingent and which we thoroughly enjoy now we’ve mastered its intricacies –
and clearly the audience did too, especially having received a first-class
explanation of who Pemulwuy was by our erudite and versatile compère Drew
Hopkins The first half then closed with a special arrangement (sung by 520
choristers in London) of When the Saints Go Marching In, the end of
which featured the combined voices of the audience and our
sopranos.
Another new tune Yr Utgorn (The Trumpet) blasted off
the second half in great fashion and included some sprightly trumpeting from 13
year old Tom. Rhonda’s bell-like voice made us happy to be Back Once More in
Dear Wales, then our small choir (Côr Bach) entertained everyone with an
entirely new song Yfory (Tomorrow). On reflection, we should probably
have sung the Beatles’ Yesterday before this….
The choir went a
capella again with Myfanwy then it was time for some comic relief with
Professor (promoted from Sgt) Pepper with a challenging Welsh lesson.
As
the choir is lucky and talented enough to have within it quite a number of
soloists, our next bracket, entitled Choir Kaleidoscope, featured a choir medley
with Col Evans on the anvil, Barry McMahon being stout-hearted, Graeme Sanderson
seeking help in his police work, Roger Bartlett nostalgically crossing the
Mersey and old rockers Ed Hughes and Drew Hopkins racing their hotrod in
Little Deuce Coupe.
Suitably exhausted it was then time to sit back and be
transported by Rhonda and Mel (left) in two beautiful duets, finishing with the
Flower Duet from Lakmé which elicited huge roars of approval from a
totally enchanted audience.
The finale from Les Mis is always a
favourite - for the choir and patrons alike - and this occasion was no
exception. Rhonda skilfully caught the pathos of Fantine’s I Dreamed a
Dream then Mel, as Fantine’s daughter Cosette, tugged at our hearts with
Castle on a Cloud. Roger Bartlett featured on the emotional Bring
Him Home and, finally, the choristers and concert-goers alike were fired up
with Do You Hear the People Sing.
There only remained
Waltzing Matilda with Bob Ash and Roger leading the segue into the
Welsh National Anthem and another magnificent St David’s Day concert brought
continued and heartfelt applause from the appreciative audience. To shouts of
“Encore” choristers marched off the stage to Men of Harlech before
surrounding patrons to tenderly thank and farewell them with Eli Jenkins’
Prayer. We were humbled but pleased to see that many in the hall were
visibly affected by the sheer emotion of being part of such a wonderful
evening’s musical journey.
Audience feedback included:
The day after our annual St David's Day Concert, Victoria Welsh joined with other local Welsh choirs to participate in the annual St David's Day Cymanfa Ganu (hymn festival) organised by the Melbourne Welsh Church, held at St Michael's Church in Collins St, and led for the first time by an Australian conductor (albeit with a Welsh name), Trevor Jones, with organist Lachlan Redd. The programme consisted of:
For the first time the singing of the two choir items and some of the congregational hymns was complemented by two trumpeters and a tympanist. The congregation, which came close to filling the large church, left feeling they had well and truly done justice to this traditional Welsh celebration.
Echuca Moama Celtic Festival
Côr Bach 17 March 2013, Moama Bowling Club, NSW: "superb" " fantastic - great harmonies" "uplifting" "a fully engaging experience"
A concert given by our Côr Bach was the main event on the last day of the Echuca Moama Celtic Festival at the Bowling Club in Moama NSW on St Patrick's Day.
The full-length concert included two new love songs with a positive flavour (almost unheard-of for Welsh love songs!) - Anfonaf Angel (I'll Send an Angel) and Yfory (Tomorrow), both by Robat Arwyn; Yr Utgorn (The Trumpet); Paul Jarman's powerful tribute to the aboriginal warrior Pemulwuy; and a medley of songs from opera, musicals and the sixties which we call Caleidosgop (think about it).
The capacity audience responded warmly, and also joined us heartily in the singing of Men of Harlech, Cwm Rhondda, When The Saints, our Welsh-flavoured version of Waltzing Matilda and, of course, Danny Boy. Their feedback included:
We were very pleased to return to Williamstown for the fifth time
since 2000 on a bright Sunday afternoon with refreshing sea breezes.
The audience came ready to enjoy themselves as they were swept along in
an extremely varied program – and they got to do a bit of singing as
well.
Comments from patrons afterwards remarked on the number of soloists
drawn from the choir. We are indeed blessed with an incredible number of
choristers who just love to perform on their own, or with a partner, as
well as blending in harmoniously when singing with their section.
Soloists were Ambrose Morgan, Col Evans on anvil, Steve Lynn and Barry
McMahon. John Hales and Geoff Serpell hammed it up with a great
première performance of the Gendarmes Duet, complete with truncheons. Bob Ash’s poignantly bitter-sweet And the Band Played Waltzing Matilda reminded everybody that the 25th was around the corner in our ANZAC homage bracket.
Graham Warner did sterling double duty as compère and brother rocker with Ed Hughes. Roger Bartlett featured in our Kaleidoscope section and in the Les Mis finale, as well as a sidekick to Drew Hopkins’ dilettante in Cherchez La Femme. Drew also joined with Rushan Hewawasam in the beautifully sung second première of the day with Isle of Hope, Isle of Tears.
Audience feedback included:
One audience member wrote all this:
For more information about Holy Trinity Williamstown go to www.htw.org.au
On Sunday 26th May Victoria Welsh Choir joined forces with the Geelong Welsh Ladies Choir for a concert at the Castlemaine Town Hall. Audience feedback included:
For more information about the Geelong Welsh Ladies' Choir visit https://geelongwelshlc.com.au/
A large and very keen audience was anxious to secure the best seats well in advance of the 2.00 pm start. Introductions were carried out by compère Drew Hopkins and President Tony Davies provided a narration about the film and its themes and parallels between the Morgan family and his own. This was broken up by the choir singing two or three specially chosen and relevant songs in each bracket. Patrons also played their part by joining in with the old favourite Amazing Grace. Other soloists were Stephen Pepper and Gordon Parsons and Bob Ash with the very relevant Working Man.
After an interval, in which all the choc tops sold out, the film was shown without intermission.
Audience feedback included:
On Sunday 8th September Côr Bach (our “Small Choir”) were very pleased to return to Woodend to support our friend and former chorister Keith Beman and the Woodend CFA volunteers for a third time. On this occasion Côr Bach was reinforced by a number of soloists from our Bendigo chapter.
The program included two love songs with a positive flavour - Anfonaf Angel (I'll Send an Angel) and Yfory (Tomorrow), both by Robat Arwyn, Yr Utgorn (The Trumpet), Paul Jarman's powerful tribute to the aboriginal warrior Pemulwuy and a medley of songs from opera, musicals and the sixties.The near capacity audience came ready to enjoy themselves in an extremely varied program, responding warmly and enthusiastically to join us in the singing of Men of Harlech, Cwm Rhondda and When the Saints Go Marching In.
We are indeed blessed with a remarkable number of choristers who enjoy
performing on their own or with a partner, as well as blending in
harmoniously when singing with their section. Soloists included Barry
McMahon. Ken Simpson and Ed Hughes. Roger Bartlett featured in both our Kaleidoscope section and in the Les Mis finale, and Drew Hopkins who joined with Rushan Hewawasam in the beautifully sung Isle of Hope, Isle of Tears. Bob Ashe did sterling double duty as both our compère and Working Man soloist.
Our
Music Director and Huw Jones thrilled the audience as they played their
harps together producing a delightful sound. Once again our Music Team
of Faleiry Koczkar and Lorna Ogilvie excelled themselves and were ably
backed up by Ann Roberts at the sound desk as well as our outstanding
team of supporters at the ‘front of house’. (Report by Andrew Naylor)
Audience comments received were very positive:
On 22nd September. a beautiful Sunday afternoon, Victoria Welsh Choir returned to the splendid Capital Theatre in Bendigo after nearly 12 years for its Springtime concert, organised by the choir's flourishing Bendigo chapter. The audience came ready for an excellent afternoon's entertainment and this they got in abundance.
Bendigo
boy Rob Hopman ably emceed the concert and was the very proud father of
Janelle who treated everybody to two contrasting brackets of very
distinct and probably little heard songs. Her first two were from shows:
Still Hurting from The Last Five Years and I Can Cook Too from On The Town. Her second bracket, where she accompanied herself on piano, were 20 Años by Omara Portuondo and Bob Dylan's To Make You Feel My Love.
The feedback comments showed how much patrons had enjoyed Janelle's
beautifully sung numbers. She also sang with the choir on Benedictus, When the Saints Go Marching In, All Through The Night and in the Les Mis finale.
Interspersed
in the wide-ranging ensemble choral songs, a number of choristers also
featured and added to the musical variety of the concert. Tenors Rushan
Hewawasam and Drew Hopkins charmed the audience with the lilting Isle of Hope, Isle of Tears. Graham Warner and Colin Edwards confidently led the choir into Highland Cathedral
after a rousing opening by a Bendigo bagpiper Warren Matheson and snare
drum by versatile part-time blacksmith Colin Evans. In the Caleidosgob
section, Barry McMahon was suitably macho in Stouthearted Men, Ed Hughes got his hips swinging in Little Deuce Coupe and Bob Ash nailed Working Man. In the Gendarmes' Duet,
Geoff Serpell and John Hales were suitably scary and entertaining,
complete with potential head-cracking truncheons. Rushan came back for a
second time in the emotionally charged finale with Janelle.
Despite the inherent problems singing from a proscenium arch stage, the acoustics were skilfully sorted out by Bill Denholm and crew and the concert was adjudged to one of our best. Audience comments follow:
On 6th October Côr Bach journeyed into Swagman territory to perform at the acoustically blessed Carngham Uniting Church as a fundraiser for the nearby Linton Historical Society. Their local publicity had obviously been very effective as the church was full with chairs even in the aisles.
The first half comprised MC Drew Hopkins narrating extracts from Joseph Jenkins' Diary of a Welsh Swagman, with Tony Davies as the Swagman and appropriate songs from our repertoire interspersing the narration. A total of fourteen complete and part-songs were sung, including standout performances of Wandering the King's Highway by Barry McMahon and Working Man by Geoff Serpell.
After interval, old favourites like When the Saints gave the audience an opportunity to have a sing, and new challenging numbers like Yr Utgorn and Pemulwuy were successfully performed.
Tenors Rushan Hewawasam and Drew tugged at everybody's heartstrings with the beautiful Irish song Isle of Hope, Isle of Tears. The musically appreciative audience definitely wanted to hear more from these two soloists and they did not have to wait long. Rushan's mellifluous voice caught the emotion in Bring Him Home as part of the Les Mis medley; and hard-working compère Drew teamed with bass Geoff Serpell in the modern arrangement of Waltzing Matilda.
The church had not been this full for many a year and, judging by the immediate feedback after the concert, everybody did really go home (after the tea and scones) with a smile on their face and a glow in their heart.
Audience comments included:
In probably another first, choristers and their partners were supplied with soup and rolls at the nearby magnificent farmhouse and choristers were able to change in the most well-appointed rooms made available to us for many a year. Our host, Mrs Suzie Clarke was wonderfully welcoming despite being stricken with pneumonia which, alas, rendered it impossible for her to attend the concert. Our thanks go out to her and the Dunkeld Festival organisers.
An opening bracket of Welsh favourites finished with an opportunity for the audience to warm up their voices with the Songs of Praises chorus.
Ambrose Morgan gave a polished performance of Hymns and Arias and a specially written new verse which was particular to Dunkeld residents, hit the mark. The next bracket culminated with a fine rendition of Working Man by Bob Ash. This was followed by a beautifully modulated duet by ever-busy compere Drew Hopkins and Rushan Hewawasam with Isle of Hope, Isle of Tears.
The first half closed with patrons being able to join in once again with numerous choruses of When the Saints.
The second half featured a veritable smorgasbord of musical talent drawn from members of the choir. Tom Morgan, Alex van Mens and Colin Edwards strongly stirred up the Scots with Highland Cathedral and Stephen Pepper involved and amused the audience with a well structured Welsh lesson.
Barry McMahon was a suitably Stout-Hearted Man, Gordon Parsons skilfully guided us All Through the Night and Ed Hughes got everybody rocking with Little Deuce Coupe. John Hales and Geoff Serpell charmed everybody with the clever and droll Gendarmes' Duet, complete with articles designed for corporal punishment.
In the Les Mis medley, the choir was joined by Rushan once again with the emotional Bring Him Home. Finally, Drew and Geoff and the choir surprised but delighted many patrons with a modern arrangement of Waltzing Matilda segueing into the Welsh National Anthem. And what more fitting surroundings when singing about a jumbuck than the choir proudly standing up in front of half a dozen shearing machines.
The sold-out venue was, by this time, a little chilly but instead of the swagman jumping up, the whole audience rose to give the choir and music team a well-deserved standing ovation. Another really marvellous concert, according to everyone there.
Audience comments:
Among the highlights of the event for us were:
With minimal rehearsal we and the band jump-started the concert with a forceful arrangement of Battle Hymn which set the bar for the rest of the concert.
The Concert Band, under the direction of Mat Taylor, then showcased their considerable range with a varied bracket including a medley of familiar Mancini tunes.
The choir then sang a number of favourite Welsh tunes, culminating with Tom featuring on Yr Utgorn (The Trumpet) and Bob Ash delivering a stunning rendition of Working Man to close out the first half (photo by Gavin Ash - www.gavinash.com).
The second half began with what we now call our London arrangement of When the Saints and the audience willingly joined in (several times) along with Mat on his trumpet, to raise the considerable modern roof. In the choir's next bracket the beautiful Anfonaf Angel raised many hairs on many necks. Another 'London' tune, the very modern Pemulwuy delighted patrons with its forceful lyrics and musical virtuosity. Waltzing Matilda, featuring soloists Geoff Serpell and compère Drew Hopkins, cast its spell on its listeners and even flushed out several Welsh natives as they realised part of the choir was singing Hen Wlad Fy Nhadau.
The Band swung into their second bracket with some classical music and the very interesting music from The Incredibles, the original soundtrack of which was recorded on analogue tapes, not least because brass sounds better than on digital.
As a show-stopper the band and the choir combined on all-encompassing Les Mis medley, featuring Roger Bartlett on the emotional Bring Him Home. As the final line "Tomorrow comes" and the band's closing chord erupted, the audience was totally transported and the very appreciative and sustained clapping was proof that another terrific musical event had been achieved.
But they hadn't finished with us yet. Cries of "More, more" were shouted out so, after a little rearrangement, the choir filed off stage to Men of Harlech and then, with the expectant hall hushed, we surrounded everybody and wrapped them up in the beautiful words and fond farewell of Eli Jenkins' Prayer. Only then was the audience satisfied and the musical magic of the afternoon allowed to come to a close.
Geoff and Drew in duet - photo by Gavin Ash - www.gavinash.com).
Audience feedback included:
Dromana Funeral
6 December 2013
In memory of Nelson Mandela, whose death had recently been announced, we opened with Nkosi Sikelel'iAfrika (God Bless Africa), the hymn written in the Xhosa language which has now become part of the South African National Anthem.
We started the first half with three staples of the Welsh repertoire, Men of Harlech, We'll Keep a Welcome and Cwm Rhondda (Guide Me O Thou Great Redeemer). The audience joined in the last verse of the latter, and then every chorus of the fun song Hymns and Arias, led by Ambrose Morgan. The lullaby Si Hei Lwli 'Mabi and Anfonaf Angel (I'll send an angel) were followed by Rushan Hewawasam and Drew Hopkins singing Isle of Hope, Isle of Tears. The half ended with Working Man (solo Bob Ash), the stunning Pemulwuy and the Rutter arrangement of When the Saints Go Marching In, with more audience participation.
The choir opened the second half with two more Welsh songs, Yr Utgorn (the Trumpet) and Yfory (Tomorrow). After singing Maria, Roger Bartlett was joined by Rushan for a blended version of Little Drummer Boy and Peace on Earth. We maintained the Christmas theme with O Holy Night (solo Barry McMahon) before launching into a "Kaleidoscope" of songs with different soloists - the Anvil Chorus (Colin Evans on the anvil), You'll Never Walk Alone (Ken Simpson), Blue Moon (Drew Hopkins) and Little Deuce Coupe (Ed Hughes). We finished with a medley of five tunes from Les Miserables (solo Roger Bartlett) and, as an encore, Eli Jenkins' Prayer.
The audience's enthusiasm can be gauged from the following comments: