Patrons are used to hearing plenty of Welsh tunes at our annual St David’s Day concert but this year, thanks to Northern Territory entertainers Ted Egan and his Welsh wife Nerys Evans, a few extra languages were thrown into the mix.
Visiting conductor from Wales, Ilid Anne Jones, delighted the audience with her insights into a number of the classic tunes from the Welsh male voice choir canon like Gwahoddiad, Aberystwyth and Blaenwern. Her sensitive and spirited conducting brought out the best from the choir, causing the Deputy Musical Director’s hair to stand on end! Some powerful amens echoed around the Robert Blackwood Hall impressing audience and choir alike. The choir was equally at home with wonderfully controlled quiet a capella singing in Si Hei Lwli ‘Mabi and Myfanwy.
Audience feedback included:
Comments suggesting improvements were equally appreciated and will help us to keep getting better.
The congregation, which came close to filling the large church, left feeling they had well and truly done justice to this traditional Welsh celebration.
An opening bracket of some well-known Welsh tunes culminated in the
enthusiastic audience getting into the spirit of the concert with Bread of Heaven.
Choristers and patrons alike got further into the swing of things with
our 60s medley, pacemakers and all, with input from soloists Roger
Bartlett, Drew Hopkins and Ed Hughes. The choir further showcased the
depth of talent in its ranks with Barry McMahon singing Stout-hearted Men and Graeme Sanderson wielding the truncheon in When A Felon’s Not Engaged. Compère Bob Ash closed out the first half with a tremendous Working Man which drew sustained applause and whetted the audience’s appetite for what was to come.
The second half started with choruses from Il Trovatore followed by a bravura performance from the choir and Drew Hopkins of the Septet from The Merry Widow. The audience then heartily joined in with the final choruses from a new arrangement of When The Saints which is one of the songs to be sung in the Choir of the World concert at London’s Festival Hall on 7 July.
The Bendigo Balladeers (Rob and Merle Hopman, Ken Simpson and Wayne
Blandford) widened the choir’s range with some rousing bush ballads in
both halves. Roger Bartlett entertained with a Beatles ballad and a
wonderfully controlled Maria from West Side Story. He was also the soloist in the dramatic Les Mis medley which closed the show to much acclaim.
On 20th May our Côr Bach (small choir) returned to Brimbank Anglican Church after three years. The concert featured young Victoria Welsh scholar mezzo soprano Sarah Lynn, who sang Stormy Weather, Popular from Wicked, and a medley containing I Don't Know How To Love Him, On My Own and Don't Cry For Me Argentina, which were all very well received. Sarah also joined the choir in singing the traditional Welsh lullaby Suo Gân and I Dreamed A Dream from Les Mis. Choir soloists were Roger Bartlett, Graeme Sanderson, Drew Hopkins, Ed Hughes and Barry McMahon.
The concert opened with some Welsh favourites, then soprano Melinda Ash led the choir in a special arrangement of All Through the Night. Other choir numbers included Myfanwy, Anvil Chorus and an arrangement of When the Saints Go Marching In which the choir will sing at the big 500 male voices July 7 concert in London as part of the Bryn Terfel Brynfest and a cultural precursor to the Olympic Games.
Other soloists in the first half were Rhonda Yates (The Doll Aria), Roger Bartlett (The Music of the Night) and Graeme Sanderson (Working Man). Rhonda and Melinda also sang a delightful duet.
Soloists in the second half were Rhonda, Drew Hopkins (who also compèred), Melinda, Roger and Graham Warner. The wonderful sopranos delighted the audience with a superb Flower Duet from Lakmé.
The extremely appreciative audience thoroughly enjoyed the quality of the afternoon’s musical smorgasbord and was happy to lend their own voices in Cwm Rhondda and When the Saints.
Comments from the capacity audience included:
The first concert of our UK tour was on June 30th at St Asaph Cathedral in Denbighshire, North Wales, with the Trelawnyd Male Voice Choir, whose musical director Geraint Roberts had been guest conductor of our 2009 St David’s Day Concert. Coincidentally (and fortuitously) our 2012 guest conductor Anne Ilid Jones deputised as our tour accompanist, as Lorna Ogilvie had to remain in Melbourne for family reasons.
The first half comprised the Trelawnyd Choir with some brilliant choral
singing, followed by a local children’s choir. Vic Welsh took over
after interval, and presented a mini concert including numbers featuring
chorister soloists. In addition, the packed Cathedral was thrilled by
our two sopranos, Rhonda Yates and Melanie Ash.
The very appreciative audience made us feel very welcome, as did the
Trelawnyd Choir with their pre-concert hospitality and, it must be admitted,
there was a bit more singing in a local hostelry afterwards.
Betws-Y-Coed
1st July 2012
Some of the visitors were initially rather bemused by the opening numbers but our extremely varied full concert program, with superb individual contributions from choristers and sopranos alike, warmed up the audience and the end result was another wonderfully satisfying production. Some of them even joined us in a nearby pub for the customary ‘afterglow’.
Afterwards we received the following message from the organisers:
"On behalf of all at St. Mary's we want to thank you for coming to perform at St. Mary's Church last Sunday evening.
It was a superb evening, and I know that I speak for everyone in saying that we all thoroughly enjoyed the concert.
Please pass our sincere thanks to all members of Victoria Welsh Male Choir and I trust that the concerts in Aston and at the Royal Festival Hall were equally well received.
Very best wishes and repeated thanks.
Diolch yn fawr!
Jim Boughton, on behalf of St. Mary's church Betws-y-Coed"
Aston, Oxfordshire
4th July 2012
The third concert of our UK tour was at the Aston Village Hall in Oxfordshire on 4th July 2012. Arranged through friends of one of our basses, we were offered the usual country hospitality with a light meal between rehearsal and concert.
The hall was so packed that it was definitely an intimate venue but this enabled patrons and choir alike to quickly share the musical experience, complete with some enthusiastic audience participation. This was especially so with the new arrangement of When the Saints Go Marching In, with added virtuoso trumpet by one of our hosts, Tony Davis. Melanie Ash featured as our sole soprano on the night along with a number of chorister soloists.This pre-Olympics musical event was organised by the London Welsh Male Voice Choir (the President Huw Edwards is the celebrated TV newsreader and he also compered the big concert), whose rehearsal rooms are at the London Welsh Centre in Gray’s Inn Road WC1. Our first rehearsal on the 5th took place there.
The next day we went to a much larger rehearsal venue at the City Temple, Holborn Viaduct EC1 and the logistics of moving, firstly, continental choirs and then, secondly, voice sections, were firmed up. Each continental choir then rehearsed their own numbers under the baton of their own conductor before everybody went through the rest of the massed program.
On the Saturday we had to be at the Royal Festival Hall in uniform at 8.00 am, where our first task was to get up to the sixth floor ‘green room’. Continental rehearsals were held and positions mapped out before a full rehearsal when the 530 choristers were shoehorned into the choir stalls.
The combined Australasian choir of some 150 men was the first act and under the baton of New Zealander Robert Aburn presented three numbers: Pemulwuy by Paul Jarman, Our Cities Face The Sea by Philip Norman and I Am Australian by Bruce Woodley - topped off with the amended ending “I Am Australasian”. Our contingent then had to go off to another holding area while the other continental choirs performed.
During interval all 530 men then had to reconfigure themselves into the four voice sections, led by marshalls, and get themselves onto the choir stalls in the correct order and all this was accomplished with the minimum of fuss.
The second half opened with three numbers from the British and European Brass Band champions – The Cory Band from South Wales. They then accompanied the massed choir throughout the rest of the concert. The first bracket, conducted by Paul Bateman and accompanied by Annabel Thwaite, was Speed Your Journey, Shall We Gather at the River? and Stout-hearted Men.
Bryn Terfel then conquered the capacity audience along with all the choristers with his sensitive but powerful renditions of Abide with Me and I’se Weary of Waitin’.
The second massed choir bracket comprised Who Wants to Live Forever, Take Me Home and a new arrangement of When The Saints Go Marching In which got the audience swinging.
Finally, the band and the choir performed a specially commissioned work The Hero’s Journey by Welsh composer Karl Jenkins, with words by poet Grahame Davies. This very modern work was certainly very challenging for all participating choirs and it was extremely satisfying to get to perform it with over 500 other men in such a prestigious venue. The last movement is especially moving and after everyone standing up singing Mae Hen Wlad Fy Nhadau, choristers were exhilarated and emotional and drained all at the same time. It was an uplifting musical experience for everyone, consolidated by much hand-shaking and congratulations reflecting that inimitable choral camaraderie that all singers share throughout the world.
But, emptied as we were, we weren’t quite finished. After the totally rapt audience filed out of the hall, we were led outside in our voice sections where Bryn was warming up another 1500 people lining the river bank. Judging by the T-shirts and the flags, a good proportion of Welsh people had turned out on a pleasant evening and soon everyone was singing along to stalwarts like Men of Harlech and All Through The Night.
After 40 minutes we were totally sung out and urgently needed liquid refreshment. On the way towards a likely looking bar, we saw some of the South African guys performing their own songs in a space behind the Hall and doing a roaring trade selling their CDs for a tenner to help their tour expenses. Another magic moment!
VicWelsh started the concert with some Welsh favourites then presented two new works – Pemulwuy and Our Cities Face The Sea – which we had learned as part of the Australasian choirs’ performance at the Choir of the World mega-concert in London in early July.
The ladies continued with a selection including the upbeat Rhythm of Life and the beautiful Bugeilio’r Gwenith Gwyn. The first half closed with both choirs joining together on The Rose and the uplifting Yr Utgorn (The Trumpet) complete with a young local trumpeter.The choir rehearses here every Monday and Wednesday and so this
concert, like the previous one in 2010, was both a thank you to the
church and the neighbours as well as a fund-raiser for the church.
As usual we started off with a selection of Welsh favourites before
presenting two numbers from musicals and two new tunes which we had sung
as part of the Australasian contingent at the World Choir concert in
London in early July. Soloists in the first half were both basses -
Barry McMahon with Stout-Hearted Men and Graeme Sanderson with Working Man. The audience had already limbered up with some singing in the first bracket but they really came through with gusto on When The Saints Go Marching In.
After interval we tackled a very new song in the repertoire – the rousing Yr Utgorn (The Trumpet) followed by an a capella version of Myfanwy and the contrasting Anvil Chorus, complete with anvil and blacksmith.
Compère Drew Hopkins led a spirited Cherchez La Femme along
with John Hales. Having found the lady we stepped back into our youth
with a 60s medley which again featured Drew on the automotive Little Deuce Coupe and Roger Bartlett on the lilting Ferry ‘Cross the Mersey.
Temporary pianist Patrice Marshall excelled in the difficult task of
accompanying the choir in many numbers for only the second time, and the
choir and audience alike showed their appreciation for all her hard
work.
In the familiar atmosphere of our rehearsal hall, choristers and
audience very much enjoyed the relaxed but wide-ranging concert and, as
one lady said, “You have made a lot of people very happy this
afternoon.” Other feedback follows:
The concert started off with a bracket of Welsh favourites and the
opportunity for the audience to contribute to the singing with Cwm Rhondda. They also hugely enjoyed getting into the swing of things with a new arrangement of When the Saints Go Marching In.
Bendigo chorister Rob Hopman made a fine debut as compère, assisted by Drew Hopkins.
We also performed our other two new World Choir items – Our Cities Face the Sea and Pemulwuy. Soloists were Barry McMahon in Stout-hearted Men and Graeme Sanderson in Working Man, both basses receiving warm applause.
After interval the choir presented another new tune Yr Utgorn
(The Trumpet) but this time without a trumpet. In response to a request
from the audience and as a further tribute to one of our Bendigo
choristers who passed away last week, the choir led the audience in The Lord’s My Shepherd sung to the tune of Crimond.
Tenor Drew Hopkins enjoyed himself with Roger Bartlett and others in Cherchez La Femme, thankfully managing to escape any claims of misogyny. Versatile Drew was also in great form in the 60s medley with Little Deuce Coupe and Roger added more nostalgia for our lost youth in Ferry ‘Cross the Mersey. He later went back even further in time, sensitively combining with Jonathan Melland in the special arrangement of Waltzing Matilda which proved to be a fitting finale
With a Sunset Poem farewell we exited to great applause and
were then treated to an excellent afternoon tea. Another wonderful
Sunday afternoon concert in a beautiful church.
Patrons are used to hearing plenty of Welsh tunes at our annual St David’s Day concert but this year, thanks to Northern Territory entertainers Ted Egan and his Welsh wife Nerys Evans, a few extra languages were thrown into the mix.
Visiting conductor from Wales, Ilid Anne Jones, delighted the audience with her insights into a number of the classic tunes from the Welsh male voice choir canon like Gwahoddiad, Aberystwyth and Blaenwern. Her sensitive and spirited conducting brought out the best from the choir, causing the Deputy Musical Director’s hair to stand on end! Some powerful amens echoed around the Robert Blackwood Hall impressing audience and choir alike. The choir was equally at home with wonderfully controlled quiet a capella singing in Si Hei Lwli ‘Mabi and Myfanwy.
Audience feedback included:
Comments suggesting improvements were equally appreciated and will help us to keep getting better.
The congregation, which came close to filling the large church, left feeling they had well and truly done justice to this traditional Welsh celebration.
An opening bracket of some well-known Welsh tunes culminated in the
enthusiastic audience getting into the spirit of the concert with Bread of Heaven.
Choristers and patrons alike got further into the swing of things with
our 60s medley, pacemakers and all, with input from soloists Roger
Bartlett, Drew Hopkins and Ed Hughes. The choir further showcased the
depth of talent in its ranks with Barry McMahon singing Stout-hearted Men and Graeme Sanderson wielding the truncheon in When A Felon’s Not Engaged. Compère Bob Ash closed out the first half with a tremendous Working Man which drew sustained applause and whetted the audience’s appetite for what was to come.
The second half started with choruses from Il Trovatore followed by a bravura performance from the choir and Drew Hopkins of the Septet from The Merry Widow. The audience then heartily joined in with the final choruses from a new arrangement of When The Saints which is one of the songs to be sung in the Choir of the World concert at London’s Festival Hall on 7 July.
The Bendigo Balladeers (Rob and Merle Hopman, Ken Simpson and Wayne
Blandford) widened the choir’s range with some rousing bush ballads in
both halves. Roger Bartlett entertained with a Beatles ballad and a
wonderfully controlled Maria from West Side Story. He was also the soloist in the dramatic Les Mis medley which closed the show to much acclaim.
On 20th May our Côr Bach (small choir) returned to Brimbank Anglican Church after three years. The concert featured young Victoria Welsh scholar mezzo soprano Sarah Lynn, who sang Stormy Weather, Popular from Wicked, and a medley containing I Don't Know How To Love Him, On My Own and Don't Cry For Me Argentina, which were all very well received. Sarah also joined the choir in singing the traditional Welsh lullaby Suo Gân and I Dreamed A Dream from Les Mis. Choir soloists were Roger Bartlett, Graeme Sanderson, Drew Hopkins, Ed Hughes and Barry McMahon.
The concert opened with some Welsh favourites, then soprano Melinda Ash led the choir in a special arrangement of All Through the Night. Other choir numbers included Myfanwy, Anvil Chorus and an arrangement of When the Saints Go Marching In which the choir will sing at the big 500 male voices July 7 concert in London as part of the Bryn Terfel Brynfest and a cultural precursor to the Olympic Games.
Other soloists in the first half were Rhonda Yates (The Doll Aria), Roger Bartlett (The Music of the Night) and Graeme Sanderson (Working Man). Rhonda and Melinda also sang a delightful duet.
Soloists in the second half were Rhonda, Drew Hopkins (who also compèred), Melinda, Roger and Graham Warner. The wonderful sopranos delighted the audience with a superb Flower Duet from Lakmé.
The extremely appreciative audience thoroughly enjoyed the quality of the afternoon’s musical smorgasbord and was happy to lend their own voices in Cwm Rhondda and When the Saints.
Comments from the capacity audience included:
The first concert of our UK tour was on June 30th at St Asaph Cathedral in Denbighshire, North Wales, with the Trelawnyd Male Voice Choir, whose musical director Geraint Roberts had been guest conductor of our 2009 St David’s Day Concert. Coincidentally (and fortuitously) our 2012 guest conductor Anne Ilid Jones deputised as our tour accompanist, as Lorna Ogilvie had to remain in Melbourne for family reasons.
The first half comprised the Trelawnyd Choir with some brilliant choral
singing, followed by a local children’s choir. Vic Welsh took over
after interval, and presented a mini concert including numbers featuring
chorister soloists. In addition, the packed Cathedral was thrilled by
our two sopranos, Rhonda Yates and Melanie Ash.
The very appreciative audience made us feel very welcome, as did the
Trelawnyd Choir with their pre-concert hospitality and, it must be admitted,
there was a bit more singing in a local hostelry afterwards.
Betws-Y-Coed
1st July 2012
Some of the visitors were initially rather bemused by the opening numbers but our extremely varied full concert program, with superb individual contributions from choristers and sopranos alike, warmed up the audience and the end result was another wonderfully satisfying production. Some of them even joined us in a nearby pub for the customary ‘afterglow’.
Afterwards we received the following message from the organisers:
"On behalf of all at St. Mary's we want to thank you for coming to perform at St. Mary's Church last Sunday evening.
It was a superb evening, and I know that I speak for everyone in saying that we all thoroughly enjoyed the concert.
Please pass our sincere thanks to all members of Victoria Welsh Male Choir and I trust that the concerts in Aston and at the Royal Festival Hall were equally well received.
Very best wishes and repeated thanks.
Diolch yn fawr!
Jim Boughton, on behalf of St. Mary's church Betws-y-Coed"
Aston, Oxfordshire
4th July 2012
The third concert of our UK tour was at the Aston Village Hall in Oxfordshire on 4th July 2012. Arranged through friends of one of our basses, we were offered the usual country hospitality with a light meal between rehearsal and concert.
The hall was so packed that it was definitely an intimate venue but this enabled patrons and choir alike to quickly share the musical experience, complete with some enthusiastic audience participation. This was especially so with the new arrangement of When the Saints Go Marching In, with added virtuoso trumpet by one of our hosts, Tony Davis. Melanie Ash featured as our sole soprano on the night along with a number of chorister soloists.This pre-Olympics musical event was organised by the London Welsh Male Voice Choir (the President Huw Edwards is the celebrated TV newsreader and he also compered the big concert), whose rehearsal rooms are at the London Welsh Centre in Gray’s Inn Road WC1. Our first rehearsal on the 5th took place there.
The next day we went to a much larger rehearsal venue at the City Temple, Holborn Viaduct EC1 and the logistics of moving, firstly, continental choirs and then, secondly, voice sections, were firmed up. Each continental choir then rehearsed their own numbers under the baton of their own conductor before everybody went through the rest of the massed program.
On the Saturday we had to be at the Royal Festival Hall in uniform at 8.00 am, where our first task was to get up to the sixth floor ‘green room’. Continental rehearsals were held and positions mapped out before a full rehearsal when the 530 choristers were shoehorned into the choir stalls.
The combined Australasian choir of some 150 men was the first act and under the baton of New Zealander Robert Aburn presented three numbers: Pemulwuy by Paul Jarman, Our Cities Face The Sea by Philip Norman and I Am Australian by Bruce Woodley - topped off with the amended ending “I Am Australasian”. Our contingent then had to go off to another holding area while the other continental choirs performed.
During interval all 530 men then had to reconfigure themselves into the four voice sections, led by marshalls, and get themselves onto the choir stalls in the correct order and all this was accomplished with the minimum of fuss.
The second half opened with three numbers from the British and European Brass Band champions – The Cory Band from South Wales. They then accompanied the massed choir throughout the rest of the concert. The first bracket, conducted by Paul Bateman and accompanied by Annabel Thwaite, was Speed Your Journey, Shall We Gather at the River? and Stout-hearted Men.
Bryn Terfel then conquered the capacity audience along with all the choristers with his sensitive but powerful renditions of Abide with Me and I’se Weary of Waitin’.
The second massed choir bracket comprised Who Wants to Live Forever, Take Me Home and a new arrangement of When The Saints Go Marching In which got the audience swinging.
Finally, the band and the choir performed a specially commissioned work The Hero’s Journey by Welsh composer Karl Jenkins, with words by poet Grahame Davies. This very modern work was certainly very challenging for all participating choirs and it was extremely satisfying to get to perform it with over 500 other men in such a prestigious venue. The last movement is especially moving and after everyone standing up singing Mae Hen Wlad Fy Nhadau, choristers were exhilarated and emotional and drained all at the same time. It was an uplifting musical experience for everyone, consolidated by much hand-shaking and congratulations reflecting that inimitable choral camaraderie that all singers share throughout the world.
But, emptied as we were, we weren’t quite finished. After the totally rapt audience filed out of the hall, we were led outside in our voice sections where Bryn was warming up another 1500 people lining the river bank. Judging by the T-shirts and the flags, a good proportion of Welsh people had turned out on a pleasant evening and soon everyone was singing along to stalwarts like Men of Harlech and All Through The Night.
After 40 minutes we were totally sung out and urgently needed liquid refreshment. On the way towards a likely looking bar, we saw some of the South African guys performing their own songs in a space behind the Hall and doing a roaring trade selling their CDs for a tenner to help their tour expenses. Another magic moment!
VicWelsh started the concert with some Welsh favourites then presented two new works – Pemulwuy and Our Cities Face The Sea – which we had learned as part of the Australasian choirs’ performance at the Choir of the World mega-concert in London in early July.
The ladies continued with a selection including the upbeat Rhythm of Life and the beautiful Bugeilio’r Gwenith Gwyn. The first half closed with both choirs joining together on The Rose and the uplifting Yr Utgorn (The Trumpet) complete with a young local trumpeter.The choir rehearses here every Monday and Wednesday and so this
concert, like the previous one in 2010, was both a thank you to the
church and the neighbours as well as a fund-raiser for the church.
As usual we started off with a selection of Welsh favourites before
presenting two numbers from musicals and two new tunes which we had sung
as part of the Australasian contingent at the World Choir concert in
London in early July. Soloists in the first half were both basses -
Barry McMahon with Stout-Hearted Men and Graeme Sanderson with Working Man. The audience had already limbered up with some singing in the first bracket but they really came through with gusto on When The Saints Go Marching In.
After interval we tackled a very new song in the repertoire – the rousing Yr Utgorn (The Trumpet) followed by an a capella version of Myfanwy and the contrasting Anvil Chorus, complete with anvil and blacksmith.
Compère Drew Hopkins led a spirited Cherchez La Femme along
with John Hales. Having found the lady we stepped back into our youth
with a 60s medley which again featured Drew on the automotive Little Deuce Coupe and Roger Bartlett on the lilting Ferry ‘Cross the Mersey.
Temporary pianist Patrice Marshall excelled in the difficult task of
accompanying the choir in many numbers for only the second time, and the
choir and audience alike showed their appreciation for all her hard
work.
In the familiar atmosphere of our rehearsal hall, choristers and
audience very much enjoyed the relaxed but wide-ranging concert and, as
one lady said, “You have made a lot of people very happy this
afternoon.” Other feedback follows:
The concert started off with a bracket of Welsh favourites and the
opportunity for the audience to contribute to the singing with Cwm Rhondda. They also hugely enjoyed getting into the swing of things with a new arrangement of When the Saints Go Marching In.
Bendigo chorister Rob Hopman made a fine debut as compère, assisted by Drew Hopkins.
We also performed our other two new World Choir items – Our Cities Face the Sea and Pemulwuy. Soloists were Barry McMahon in Stout-hearted Men and Graeme Sanderson in Working Man, both basses receiving warm applause.
After interval the choir presented another new tune Yr Utgorn
(The Trumpet) but this time without a trumpet. In response to a request
from the audience and as a further tribute to one of our Bendigo
choristers who passed away last week, the choir led the audience in The Lord’s My Shepherd sung to the tune of Crimond.
Tenor Drew Hopkins enjoyed himself with Roger Bartlett and others in Cherchez La Femme, thankfully managing to escape any claims of misogyny. Versatile Drew was also in great form in the 60s medley with Little Deuce Coupe and Roger added more nostalgia for our lost youth in Ferry ‘Cross the Mersey. He later went back even further in time, sensitively combining with Jonathan Melland in the special arrangement of Waltzing Matilda which proved to be a fitting finale
With a Sunset Poem farewell we exited to great applause and
were then treated to an excellent afternoon tea. Another wonderful
Sunday afternoon concert in a beautiful church.